Equipment Rentals
Showing all 547 results
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The Lomo Squarefronts are vintage anamorphic PL Mount lenses. Their softness, flares, and highlights make them a perfect match for modern digital sensors.
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Built in the 70’s, these highly sought-after vintage 2x squeeze lenses offer low contrast, warm colors, and can be made to flare easily.
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Marrying the famous “Cooke Look” with a unique oval bokeh, these lenses render the beautiful images that today’s filmmakers demand.
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This 20lb shot bag can be used to secure c-stands, light stands, as well as other items on set.
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Utilizes super matte white bounce material and is great for creating a large, soft bounce source.
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Used for light control and diffusion, this 48×48″ Double Net is an essential part of any grip package.
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Used for light control and diffusion, this 48×48″ Single Net is an essential part of any grip package.
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Used for light control and diffusion, this 48×48 Silk is an essential part of any grip package.
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Can be used to protect the camera lens from flares, control spill light from other sources, or keep light from reaching an area on the set.
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Creates a thorough dispersion of fog particles to ensure a haze that spreads consistently and smoothly throughout the venue.
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Precise output control allows the Rosco Vapour Fog Machine the widest range of atmospheric effects. Careful monitoring of temperature and pump speed results in both fine wisps of smoke or billowing, continuous clouds of fog.
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Has a max height of 14’3″ and min height of 4’3″. Features a “Rocky Mountain” leg for easy leveling on rough terrain.
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Has a max height of 10’8″ and min height of 4’2″. Features a “Rocky Mountain” leg for easy leveling on rough terrain.
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Has a max height of 14’3″ and min height of 4’3″. Features a “Rocky Mountain” leg for easy leveling on rough terrain.
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This Hi-Hat featuring a 100mm bowl is perfect for capturing difficult, extremely low camera angles.
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Designed to provide stable support, the Hi-Hat allows the mounting of a video fluid head to get great footage without shakes and vibrations at an extremely low camera angle.
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Mitchell Baby Legs are ideal for low-angle shots and shoots in low-ceiling rooms in which standard legs will not work.
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Ronford-Baker Mitchell Standard Legs can be paired with any fluid head, jib arm or other specialty head with a Mitchell mount.
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Panasonic’s new 5.7K compact cinema camera is now compatible with PL Mount lenses thanks to Wooden Camera’s PL Mount Modification Kit.
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The Libec LX7 Tripod With Pan and Tilt Fluid Head and Floor Spreader delivers superior value with an aluminum tripod and a pan and tilt fluid head.
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The Wooden Camera Shoulder Rig v2 Premium offers adjustable support for shoulder-mounted shooting and includes a pair of black leather rosette handles and rosette extension arms that position the grips at a more comfortable distance away from your body.
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Designed for use with cine-style camcorders. Attaches to a tripod to provide smooth, gliding linear slides.
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This filter blends small wrinkles and blemishes while maintaining overall sharp focus that conceals the fact that a softening filter was used.
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Reduces subject blemishes and wrinkles, creates a glowing effect for skin tones, and maintains contrast and highlights.
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The Passport Conference from Fender is a self-contained portable audio system that includes two full-range speaker cabinets, a powered mixer, and speaker cables.
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The Sennheiser SKP 100 G3 Plug-On Transmitter plugs onto microphones with XLR connections and transforms them into wireless units when combined with EM 100 G3 or EK 100 G3 receivers.
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The RTMotion Lens Control System gives you solid, reliable, precision wireless control of cinema and still-camera lenses.
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The RTMotion Lens Control System gives you solid, reliable, precision wireless control of cinema and still-camera lenses.
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The Sony AXS-R7 4K RAW Recorder attaches to the PMW-F55 and F5 CineAlta cameras, speeding up the 4K production workflow.
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A wireless 3 channel system with a 1000′ transmission range. Ideal for Gimbal, Drone, and Shoulder-mounted setups.
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The 128GB Extreme PRO CFast 2.0 Memory Card from SanDisk combines the speed, capacity, and performance needed to record uninterrupted DCI 4K video.
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The battery can supply up to 16.8 VDC to the plate, and can also provide up to 50W to power accessories through the integrated D-tap output.
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Produces high quality images at a resolution of up to 1920 x 1080 (full HD), and features an aspect ratio of 16:9 to automatically adapt to the input resolution of the incoming video signals.
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Supports resolutions up to 1920 x 1080 and frame rates from 23.98 to 60P, displaying your images with 10-bit color depth.
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A real-time LUT box, camera control bridge, and HDMI/SDI cross-converter in a single device measuring only 2″ x 4″.
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A small, lightweight yet strong, clamp-on matte box for lenses with an outer diameter of up to 114mm.Add to cart -
A 7″, 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high brightness viewing of Rec. 709 footage.
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With a 120 watt-hr capacity and the ability to sustain a 10 Amp draw, the Dionic HCX will run a 40 watt camera with a 20 watt light for 2 hours.
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The Anton Bauer Cine 90 Gold Mount Battery supports up to 12 amps of continuous power draw, and with its 90 watt-hour capacity, it’s great for power-hungry cinema cameras, lights, and accessories.
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SmallHD’s 502 HDMI & SDI On-Camera Monitor with 3D LUT support brings full HD resolution to a durable lightweight on-camera monitor the size of a smartphone.
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The 7″ 1920 x 1080 LCD provides a sharp image, ideal for focus pulling and image analysis on set and in the field.
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The ARRI FF-4 Studio Follow Focus System provides smooth focus pulling in a compact, efficient package.
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The UMB-1 Matte Box by Wooden Camera is a lightweight rod mounted, clamp on, and swing away matte box.
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A fast, standard zoom favored for its versatility, the Sony FE 16-35mm f2.8 GM is a wide-angle to short telephoto lens designed for Sony E-mount mirrorless cameras.
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A fast, standard zoom favored for its versatility, the Sony FE 70-200mm f2.8 GM is a wide-angle to short telephoto lens designed for Sony E-mount mirrorless cameras.
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A fast, standard zoom favored for its versatility, the Sony FE 24-70mm f2.8 GM is a wide-angle to short telephoto lens designed for E-mount mirrorless cameras.
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The COMPACT-SERVO 18-80mm T4.4 Zoom lens combines the benefits of compact size and light weight for outstanding mobility. Designed to shoot video, this lens combines the functionality of EF lenses with the video shooting features of Canon’s Cinema lenses.
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Designed to fulfill contemporary 4K production standards, the Cinema Prime 50mm T1.3 lens features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications.
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This kit includes four 150W Dedolights with a self contained ballast and dimmer on each head.
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An LED Fresnel that has a color temperature of 3200K 95CRI Tungsten and 5600K 90CRI Daylight.
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An LED Studio Fresnel that is 5000W Tungsten equivalent, and has a color temperature of 5600K.
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The LiteMat 4 S2 is a bi-color LED panel that is less than an inch thick and only weighs 5.7 pounds.
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The LiteMat 2L S2 is a bi-color LED panel that is less than an inch thick and only weighs 3.5 pounds.
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The Panasonic GH5 is the newest addition to their GH line of mirrorless micro 4/3 cameras. The GH5 offers the ability to shoot 4K slow motion and has internal recording.
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Add to cartThe Canon C700 is a cinema camera that offers a removable raw module from Codex for up to 120fps 4k raw recording, and manages a capable 60fps internal.
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The Panasonic Varicam LT is Panasonic’s latest 4K camera, offering beautiful images and a lightweight body.
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Add to cartThe Canon C200 is a compact 4K cinema camera, and the newest camera in the Canon EOS Cinema cameras series. This camera includes internal 4K RAW recording in a brand new format called Cinema RAW Light.
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The Panasonic AU-EVA1 is a new compact 5.7K cinema camera. A great choice for documentary and reality productions.
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The Hero 6 is the newest action cam from GoPro now available for rent at Stray Angel Films. New features include the ability to record both 4K at 60fps, and 1080p at 240fps, and improved stabilization,a new touch-screen digital 2x zoom, better dynamic range and HDR capabilities, and 5GHz Wi-FI.
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The Kino Flo Select LED 30 is a versatile lighting solution that has a range of 2700K-6500K for white light and 2500K-9900K for color. There is an additional Gel channel that offers presets for over 100 well-known lighting gels.
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The ARRI SkyPanel S60-C Softlight is fully color tuneable between 2,800K and 10,000K and puts out an exceptionally bright light in a soft, uniform beam field, making it able to accommodate most applications.
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The Teradek Bolt 500 is a wireless video transmission system that offers visually lossless video transmission up to 500 feet with no delay.
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Daily $75 Weekly $225 We rent the Sony XDCA-FS7 Extension Unit with Raw Back here at Stray Angel Films. The Sony XDCA-FS7 Extension Unit attaches to the back of your PXW-FS7 or PXW-FS7M2 via a MultiPin connector, adding additional I/O and enabling RAW data output for recording 12-bit 4K/2K RAW footage to compatible external recorders.
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Daily Price $75 We rent the Sound Devices 633 here at Stray Angel Films. The Sound Devices 633 is both a recorder and a mixer. It offers 10-track recording and has six analog inputs: three XLR microphone preamplifier inputs with selectable phantom power, as well as three line-level mini-XLR inputs. All inputs are assignable to
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Daily $35 Weekly $105 We rent the Zoom H5 recorder here at Stray Angel Films. The H5 is a small, compact audio recorder. It can record up to 4-tracks. The recorder features an onboard XY microphone which has a built-in shock mount system and a maximum SPL of 140dB. If you want to record using
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Daily $25 Weekly $75 We rent the H4n Pro recorder here at Stray Angel Films. Zoom Handy recorders have been workhorses in the video production world for many years now. The H4n is the most recent version of the recorder and has many new features that were designed with production in mind. The H4n pro
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Daily Price $450 Weekly Price $1350 We rent the Blackmagic URSA Mini Pro here at Stray Angel Films. The URSA Mini Pro is a 4.6K digital camera. The body is similar to its predecessor, the URSA Mini, with some improvements to make shooting easier. Improvements include built-in ND filters, external camera controls (much quicker to
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We rent the 135mm Zeiss CP.2 lens here at Stray Angel Films. With the rise in popularity of shooting videos with DSLR cameras, there was a need for reasonably priced cinema lenses. Zeiss answered the call with their Compact Prime CP.2 lenses. They are the world’s first cine lenses designed for use with DSLR cameras.
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We rent the 100mm Zeiss CP.2 lens here at Stray Angel Films. With the rise in popularity of shooting videos with DSLR cameras, there was a need for reasonably priced cinema lenses. Zeiss answered the call with their Compact Prime CP.2 lenses. They are the world’s first cine lenses designed for use with DSLR cameras.
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We rent the 28mm Zeiss CP.2 lens here at Stray Angel Films. With the rise in popularity of shooting videos with DSLR cameras, there was a need for reasonably priced cinema lenses. Zeiss answered the call with their Compact Prime CP.2 lenses. They are the world’s first cine lenses designed for use with DSLR cameras.
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We rent the 25mm Zeiss CP.2 lens here at Stray Angel Films. With the rise in popularity of shooting videos with DSLR cameras, there was a need for reasonably priced cinema lenses. Zeiss answered the call with their Compact Prime CP.2 lenses. They are the world’s first cine lenses designed for use with DSLR cameras.
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We rent the 18mm Zeiss CP.2 lens here at Stray Angel Films. With the rise in popularity of shooting videos with DSLR cameras, there was a need for reasonably priced cinema lenses. Zeiss answered the call with their Compact Prime CP.2 lenses. They are the world’s first cine lenses designed for use with DSLR cameras.
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We rent the 15mm Zeiss CP.2 lens here at Stray Angel Films. With the rise in popularity of shooting videos with DSLR cameras, there was a need for reasonably priced cinema lenses. Zeiss answered the call with their Compact Prime CP.2 lenses. They are the world’s first cine lenses designed for use with DSLR cameras.
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The Hero 5 is the newest action cam from GoPro now available for rent at Stray Angel Films. New features include voice control, video stabilization, a RAW photo format, automatic GPS tagging, and cloud connectivity.
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Daily Price $40 Weekly Price $120 Considered to be both color-correction and color-effects filters, Schneider Coral filters are used to warm cool lighting situations such as overcast days and scenes in open shade. Different strengths of Schneider Coral filters can be used during filming to achieve the same degree of apparent warmth under different light
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Essentially an ARRI ALEXA in a super-lightweight (5lbs!) carbon fiber body. Designed with new filmmaking tools in mind, such as gimbal stabilizers and drones.
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At first glance, the 5D Mark IV may look very similar to it’s predecessor, but underneath lies a whole new beast. 4K video and 30.4 Megapixels.
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Add to cartThe Canon C300 Mark II is the much anticipated successor to the original C300. This version shoots 4K, has a built-in mic, and dual pixel AF.
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The MoVi Pro is a professional handheld 3-axis digital stabilized camera gimbal that has redefined the possibilities for camera movement.
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The Sony FS7 is a Super 35 4K camera. It features 14 stops of latitude and a wide calor gamut. Up to 180fps in HD, 60fps in 4K.
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Add to cartThe AMIRA has the same Super 35mm 16:9 sensor as the Alexa, but housed in a completely different body designed for ENG/TV/Documentary productions and workflow.
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Add to cartThe RED WEAPON HELIUM 8k is the newest addition to the RED family. It boasts an 8K sensor available in a body with either an EF or PL mount.
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The Sony A7s II is a 4K capable mirrorless digital camera. It offers up to 14 stops of dynamic range and ISO up to 102400.
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RED DRAGON not only allows you to shoot in 6K (over 9x more pixels than HD), but also boasts 16.5 stops of dynamic range and a base ISO of 2,000.
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The Canon C100 Mark II has many improvements from the original including dual-pixel autofocus, a redesigned OLED display, a larger viewfinder, and 60p recording at 1080HD.
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An HD 3CCD 2/3″ ENG camera. Records up to 50 Mbps 4:2:2 direcctly to Sony optical disks. This helps create a more efficient streamline for post.
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Add to cartThe lightest, most compact GoPro camera yet. The camera itself is waterproof, eliminating the need for additional bulky housing. Record video up to 1440p.
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They Sony FS5 is a UHD 4K camera with a Super 35mm size sensor. It can shoot burst up slowmotion, up to 19 seconds.
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Add to cartThe RED RAVEN is a 3.5lb 4.5K camera. It’s lightweight, durable construction makes it a great choice for drone or gimbal work.
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Add to cartThe ALEXA XT Plus is the most versatile and flexible of the ALEXA XT camera range. Features include wireless receiver for camera and lens control,tilt & toll sensors, and more.
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The first semi-shoulder mount camcorder to combine the benefits of 1/2 inch type Exmor Full HD 3CMOS sensor technology with 50 Mbps HD recording at MPEG HD422.
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The Sony F5 has a Super 35mm sensor. Internally is can capture 2K and HD images via Sony’s XAVC codec and 2K & 4K RAW images with an optional external recorder.
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Add to cartThis Sony lens has wide zoom range and makes an excellent all-around lens. It has a constant f/4 aperture and consistent performance throughout it’s range.
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Add to cartThe Zeiss 70-200mm CZ.2 is a compact zoom lens that offers full-frame coverage. It weighs just 6.2lbs, making it an ideal zoom from handheld and gimbal work.
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Daily Price $150 Weekly Price $450 We rent 300mm RED PRO PRIME lenses here at Stray Angel Films. This RED PRO PRIME lens rental can be picked locally in Los Angeles or shipped nationwide for additional fees. For availability and quotes on lenses for rent, please e-mail rentals@strayangel.com
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Add to cartOffers full-frame coverage, robust cine-style housing, a round 18-blade iris, consistent aperture over the zoom range, and a close focus of 2’8”.
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Add to cartUnderexposes the image by about two stops and give it a blue overcast. This helps you make a scene shot during the day look like it was shot at night.
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Add to cartPearlescent filters are used to soften and reduce sharpness. They also create a pearlescent halo around highlights.
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Add to cartHollywood Blackmagic filters creates a glowing effect around highlights, reduce glare, and soften mid-tone contrast.
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Add to cartUsed to soften skin and reduce the visibility of blemishes and wrinkles. It also makes highlights “glow” and reduces contrast.
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Add to cartFeatures built-in HD-SDI conversion output, waveform/vectorscope, focus assist, and a Temperature Adaptive Color function.
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Add to cartThe MoVI M5 is the smallest and lightest load carrying gimbal stabilizer in the Freefly line up. It can hold a small camera package, up to 5lbs.
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Add to cartAllows you to attach a GoPro camera to your wrist for hands-free POV footage. You can rotate the GoPro 360° and tilt to adjust the angle and get the best shot.
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Add to cartThe GoPro Surfboard Mount allows you to easily attach your GoPro camera to surfboards, kayaks, boats, and other water vehicles.
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The versatile GoPro Sportsman mount allows you to mount your GoPro to things like guns, fishing rods, and bows to get unique POV shots.
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Add to cartTilt Shift lenses allow you to control perspective and enable precise control over depth of field. They are most commonly used in landscape or architecture photography.
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Add to cartThe trim profile of the fixture and light weight design makes it perfect for both soft key and fill lighting in tight locations. Both tungsten and daylight bulbs available.
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Add to cartThis compact and portable softbox attaches to our Arri 1K lights and makes for a great keylight or soft source on any shoot. Each kit comes with an array of diffusion covers.
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Add to cartLitepanels are light, compact, and able to run on Anton Bauer Batteries. This makes them ideal for travel and on-location shooting.
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Add to cart6″ vacuum/ suction cup camera mount with silver metal mount. Perfect for film and video cameras, scopes and camcorders with a standard 1/4-20 thread receptacle base.
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Add to cartA sophisticated 3-axis gimbal stabilizer that can hold camera packages up to 15lbs. Both single and dual operator modes available.
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Add to cartThe XLR connector is a style of electrical connector, primarily found on professional audio, video, and stage lighting equipment. -
Add to cartThe XLR connector is a style of electrical connector, primarily found on professional audio, video, and stage lighting equipment. -
Add to cartAn affordable production slate designed to be used with dry erase markers. Made out of pressboard material and has standard black and white clapper sticks. -
Add to cartFeaturing the same high quality Canare cable as found in all of the production cables. Enables the boom operator to receive communications from the console of the mixer. -
Add to cartThe Lectrosonic UCR411A and UM400 and combo implements the latest Digital Hybrid Wireless technology in a classic Lectrosonics belt-pack transmitter. -
Has a very wide range of applications including reporting, interviews, dubbing, live sound reinforcement and recording applications.
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Add to cartThe Sennheiser ME66 short shotgun microphone is a popular choice among video, film and ENG / EFP professionals. -
Daily Price $45 M-F Price $135 Weekly Price N/A The Schneider 4×4″ DigiCon 1/4 filter is used for a “filmic look” when shooting with digital cameras. When used in front of the lens, it optically raises black levels while lowering highlights. This DigiCon Filter rental can be picked up locally in Los Angeles or shipped
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Add to cartXenon FF prime lenses are the newest lenses from Schneider. They were developed specifically for use with full frame sensor HDSLR cameras.
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Add to cartA hybrid between a bellows camera and a tilt-shift camera. It can bring one area of a photo into sharp focus, surrounded by increasing blur.
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Add to cartThese lenses use special optical technologies such as Ultra-low Dispersion UD glass, Super Low Dispersion glass, Fluorite elements, and Aspherical elements.
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Add to cartThis Canon 90mm TS-E lens provides tilt-shift functions to control perspective and correct convergence of lines within your frame. Most often used for landscapes.
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Add to cartThis Canon 85mm f/1.2L lens has a very fast maximum aperture, making it an excellent choice for low light situations. Superior optics and solid build.
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Add to cartThese lenses offer spectacular optical performance for demanding high-end productions. Deisgned for 4K production, covers an entire full-frame sensor.
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Add to cartThis Canon L series lens has a maximum aperture of f/1.4 making it the perfect lens when you need a wide angel shot in a low-light situation.
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Add to cartThese lenses offer spectacular optical performance for demanding high-end productions. Deisgned for 4K production, covers an entire full-frame sensor.
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Add to cartThese lenses offer spectacular optical performance for demanding high-end productions. Deisgned for 4K production, covers an entire full-frame sensor.
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Add to cartThese lenses offer spectacular optical performance for demanding high-end productions. Deisgned for 4K production, covers an entire full-frame sensor.
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Add to cartThis 100mm Canon L series lens is a macro lens, so you can shoot up close to your subject. It offers 1:1 magnification and a minimum focusing distance of 12″.
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Add to cartThe Zeiss 100mm Makro Planar has for many years been considered the sharpest prime lens made and is now available in Canon mount.
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Add to cartThe Zeiss ZE 85mm short telephoto is a classic portrait focal length which is further enhanced by the long barrel rotation for precise control of the focus point in the image.
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Add to cartWith the introduction of the Makro-Planar T* 2/50, Carl Zeiss expands its existing ZE line of lenses for EF-mount cameras.
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Add to cartThe high-speed, moderate wide-angle Distagon T* 2/35 ZE fits all analog and digital EOS cameras.
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Add to cartThe Zeiss Compact Prime CP.2 85mm T1.5 weighs 2 lbs with a front diameter of 114mm and close focus at 40″. Has the functionality and handling of a motion picture lens.
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Add to cartThe Zeiss Compact Prime CP.2 50mm T1.5 weighs 2 lbs with a front diameter of 114mm and close focus at 17.7″. Has the functionality and handling of a motion picture lens.
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Add to cartThe Zeiss Compact Prime CP.2 35mm T1.5 weighs 2.4 lbs with a front diameter of 114mm and close focus at 12″. Has the functionality and handling of a motion picture lens.
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Add to cartThe Zeiss Compact Prime CP.2 50mm T2.1 weighs 2.0 lbs with a front diameter of 114mm and close focus at 18″. Has the functionality and handling of a motion picture lens.
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Add to cartThe Zeiss Compact Prime CP.2 35mm T2.1 weighs 2.2 lbs. the a front diameter of 114mm and close focus at 1′. Has the functionality and handling of a motion picture lens.
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Add to cartThe Zeiss Compact Prime CP.2 21mm T2.9 weighs 2.2 lbs with a front diameter of 114mm and close focus at 10″. Has the functionality and handling of a motion picture lens.
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Add to cartFeatures an ultra-large aperture for a narrow depth of field and soft background blur. Its lens coating and construction minimize ghosting and flare.
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Add to cartA great ultra wide angle lens that has minimal distortion unlike a fisheye. Can see 114 degrees of view. Great for small interiors or sweeping landscape shots.
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Add to cartVersatile and easy to handle and its superb lateral sound muting makes it an excellent choice for film and reporting applications. High sound quality for distance applications. -
Add to cartCompact pressure-gradient microphone with short interference tube, highly immune to humidity due to its RF condenser design.
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Add to cartA handheld microphone that was designed to have low handling and windows as well as to eliminate vocal popping. Excellent on-camera interview mic. -
Add to cartThis VideoMic Booming Kit is great for those shooting with DSLRs who are working with dual audio recording systems. Great for run & gun type shooting situations. -
Add to cartThe Rode VideoMic Pro is compacted into a lightweight design that is great to use with HDSLR cameras, camcorders, and audio recorders. -
Add to cartSennheiser G3 Wireless Kit. Includes lav mic, wireless transmitter, and wireless receiver. This industry standard lav kit is a must have rental on set.
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Add to cartSturdy aluminum design is tough enough to endure the rigors of road use while remaining lightweight and travel worthy. Also features an internally coiled cable. -
Add to cartThis Magliner Gemini Junior has 10″ tube-type tires with 5/8″ axle bearings insure a smooth ride and eliminate air leakage at the rim, which is common with the tubeless tires.
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The Motorola CP200 portable two-way radios have powerful 500 mW audio output that penetrates noisy environments, providing clear, crisp audio at any volume.
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The Canon 85mm f/1.8 EF USM Autofocus Lens is a highly practical medium telephoto lens with superb delineation and portability. Images are sharp and clear at all apertures.
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50mm standard lens with f/1.8 maximum aperture. Traditional Gauss-type optical design is extremely sharp. Focuses as close as 18 inches for extreme close-ups.
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28mm wide-angle lens with f/1.8 maximum aperture for Canon SLR cameras. 1-foot close focusing distance; light enough to function as standard wide angle lens.
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RED Pro Primes are a great option for productions who need PL lenses but don’t quite have the budget for Master or Ultra Primes. Coverage of 4k sensors and a crisp image.
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Fujinon Cabrio 19-90mm PL mount lens is an extremely versatile professional zoom lens. Has the longest focal range of any lightweight zoom.
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The Master Primes are a fast, revolutionary and unique. They have no visible optical distortion, footage can be matched easily with computer-generated imagery.
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Add to cartThe Optimo DP 16-42 has an aperture of T2.8 and is a lightweight and compact PL mount zoom lens designed for digital cameras.
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A highly versatile zoom lens for use with large format digital production cameras. The Optimo DP Series lenses deliver superior optics.
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Combines the sharp resolution, high contrast, low distortion and perfect color rendition of Zeiss lenses with the cinematic features of professional video lenses.
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Diopter filters help magnify your image. The amount of magnification you can achieve will be dependent on things like focal length and the close focus of the lens.
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Diopter filters help magnify your image. The amount of magnification you can achieve will be dependent on things like focal length and the close focus of the lens.
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Diopter filters help magnify your image. The amount of magnification you can achieve will be dependent on things like focal length and the close focus of the lens.
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A circular polarizer helps to cut glare and reflections. This allows deep natural colors to show through with vibrance.
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ND filters are used to reduce exposure. Allows the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
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ND filters are used to reduce exposure. Allows the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
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ND filters are used to reduce exposure. Allows the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
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ND filters are used to reduce exposure. Allows the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
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ND filters are used to reduce exposure. Allows the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
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ND filters are used to reduce exposure. Allows the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
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Black Pro Mist creates a special “atmosphere” by softening excess sharpness and contrast. It also creates a pearlescent glow around highlights.
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Black Pro Mist creates a special “atmosphere” by softening excess sharpness and contrast. It also creates a pearlescent glow around highlights.
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Pro-Mist filters create a special “atmosphere” by softening excess sharpness and contrast. These filters will create a pearlescent halo around highlight.
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Pro-Mist filters create a special “atmosphere” by softening excess sharpness and contrast. These filters will create a pearlescent halo around highlight.
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Black Pro Mist creates a special “atmosphere” by softening excess sharpness and contrast. It also creates a pearlescent glow around highlights.
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Pro-Mist filters create a special “atmosphere” by softening excess sharpness and contrast. These filters will create a pearlescent halo around highlight.
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Black Pro Mist creates a special “atmosphere” by softening excess sharpness and contrast. It also creates a pearlescent glow around highlights.
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Pro-Mist filters create a special “atmosphere” by softening excess sharpness and contrast. These filters will create a pearlescent halo around highlight.
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Black Pro Mist creates a special “atmosphere” by softening excess sharpness and contrast. It also creates a pearlescent glow around highlights.
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Pro-Mist filters create a special “atmosphere” by softening excess sharpness and contrast. These filters will create a pearlescent halo around highlight.
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Great for cameras with CCD sensors without an integrated IR protection filter, because the IR sensitivity of the CCD sensor could cause color changes and unsharpness.
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Vari-color polarizers enable the camera professional to uniquely change the color of a glare or a reflection, even in low-light conditions.
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Streak filter helps filmmakers create dramatic streak effects, similar to the effect of anamorphic flare. One of the most popular special effects filters in use.
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Streak filter helps filmmakers create dramatic streak effects, similar to the effect of anamorphic flare. One of the most popular special effects filters in use.
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Streak filter helps filmmakers create dramatic streak effects, similar to the effect of anamorphic flare. One of the most popular special effects filters in use.
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This 4×5 Streak filter helps filmmakers create dramatic streak effects, similar to the effect of anamorphic flare. One of the most popular special effects filters in use.
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Provides color and contrast enhancement. Removes glare from non-metallic surfaces, such as windows and water. Color saturation can be improved significantly.
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IRND filters are both IR and ND. Digital sensors are sensitive to infared light pollution, which can cause contrast changes. These filters combat that.
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These soft grad ND filters are great for when you only want to drop the stop down on half the photo, such as landscape shots with with a blown out sky.
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A subtle and effective softening filter that can be used freely without fear of compromising the high quality of modern lenses.
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Most popular motion picture effect. Creates special “atmosphere” by softening excess sharpness and contrast. Great for portraits and landscapes.
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ND filters are used to reduce exposure. Allows the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
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Add to cartThe BeachTek DXA-5DA DSLR Camera Passive Dual XLR Mic Adapter provides professional audio results when capturing video with a DSLR camera. -
The Denecke TS-C is a compact full featured smart slate, capable of reading, generating and displaying SMPTE/EBU time code.
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Add to cartA compact PA system with dual 2-way speakers, on-board mixer and 300-watt power amplifier, iPod dock, and more. Ultra lightweight design for maximum portability. -
The Rycote S-Series 330 finally came in the mail a few days ago! I’ve been wanting to build my field kit for a while now, and by getting this furry thing.
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The Lectrosonics UH400 Plug-In Transmitter allows you to take a shotgun mic and wirelessly transmit the audio signal instead of using a wired XLR cable.
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Sound Devices 442 encompasses the audio performance, feature set, and mechanical construction demanded by those who rely on audio gear for their livelihood.
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A professional field audio mixer designed to fit the needs of DV Cam users while remaining cost effective and flexible enough for camcorder users as well.
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Lundahl transformer-balanced mic or line level inputs on XLR connectors Continuously adjustable input trim Two-position high-pass filter
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Fostex FR-2LE Flash Field Recorder with shoulder strap, carrying case, and 8GB CF card. The redesigned version of Fostex's popular FR-2.
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This is a professional-quality portable field recorder. Record and edit multiple tracks of audio. You can record up to 8 tracks onto SD/SDHC flash memory cards.
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Lightweight and compact professional 4-track digital portable recorder. Uses readily available Compact Flash cards and an internal 160GB SATA HDD.
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Mobile multitrack recording, in the palm of your hand! Sometimes, your mini-cassette recorder just doesn't give you the quality you need when you're working out in the field.
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The newest version of the popular Zoom H4 Recorder. Has four XLR imputs and can record up to 6 simultaneous channels. Great for documentaries and interviews.
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Lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.
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Daily Price $60 We rent 20×20 digital green screens here at Stray Angel Films. 20×20 green screens are a great choice for when you need a small, portable chromakey option. They are outfitted with grommets for easy hanging. This 20×20 digital green screen rental can be picked up locally in Los Angeles or shipped nationwide
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Daily Price $40 We rent 20×20 Ultrabounce here at Stray Angel Films. Ultrabounce is a lightweight, waterproof fabric used the diffuse light. One side is white which can be used to get a nice, even bounce and the other side is black, which can be used for negative fill. This 20×20 Ultrabounce rental can be
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Daily Price $35 We rent 20×20 Silks here at Stray Angel Films. Silks are one of the most popular choices for diffusion on set. When silks soften light, they provide a nice ambient bounce. This 20×20 silk rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and
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Daily Price $35 We rent 20×20 Solid rags here at Stray Angel Films. Solids are used to cut and control light. This 20×20 solid rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on solids for rent, please email rentals@strayangel.com
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Daily Price $125 We rent 20×20 Double Nets here at Stray Angel Films. Double nets reduce light approximately 1.5 f stops. It does so without altering the light pattern or color temperature. This 20×20 Double Net rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability
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Daily Price $85 We rent 20×20 Single Nets here at Stray Angel Films. Single nets reduce light approximately .6 f stops. It does so without altering the light pattern or color temperature. This 20×20 Single Net rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability
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Daily Price $40 We rent 12×12 Silver Lame rags. Silver lame is a shiny material that is used as a slightly warm, medium soft reflector. This 12×12 Silver Lame rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on silver lame for rent, please email
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Daily Price $30 We rent 12×12 Quarter Grid here at Stray Angel Films. Quarter grid provides medium diffusion of direct light. It gives you approximately 1 stop of light loss. This 12×12 Quarter Grid rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on quarter
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Daily Price $30 We rent 12×12 Half Grid here at Stray Angel Films. Half grid provides medium diffusion of direct light. This 12×12 half grid rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on half grid for rent, please email rentals@strayangel.com
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Daily Price $30 We rent 12×12 Full Grid rags here at Stray Angel Films. Full grid provides medium diffusion of direct light. This 12×12 full grid rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on full grid for rent, please email rentals@strayangel.com
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Daily Price $50 We rent 12×12 Hilite, aka Soft Frost, here at Stray Angel Films. Hilite fabric is used for diffusion. It is considered a moderate diffuser that has minimal color temperature shift. This 12×12 Hilite rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability
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Daily Price $30 We rent 12×12 Bleached Muslin. Bleached muslin is a flat reflector (as opposed to unbleached muslin which is a warm, white reflector). It is often used with overhead frames for heavy light diffusion. This 12×12 bleached muslin can be picked up locally in Los Angeles or shipped nationwide for additional fees. For
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Daily Price $30 We rent 12×12 Unbleached Muslin. Unbleached muslin is a warm, white reflector (as opposed to a bleached muslin which is a flat reflector). These are often used with overhead frames and is used for heavy diffusion of light. This 12×12 unbleached muslin can be picked up locally in Los Angeles or shipped
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Daily Price $25 We rent 12×12 Griffolyn rags. This griffolyn fabric is white on one side and black on the other. It is a strong, water-resistant fabric that can be used to throw bounce or as negative fill. This 12×12 griffolyn can be picked up locally in Los Angeles or shipped nationwide for additional fees.
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Daily Price $30 We rent 12×12 Ultrabounce here at Stray Angel Films. Ultrabounce is a lightweight, waterproof fabric used the diffuse light. One side is white which can be used to get a nice, even bounce and the other side is black, which can be used for negative fill. This 12×12 Ultrabounce rental can be
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Daily Price $50 We rent 12×12 silver/gold checkerboard rags here at Stray Angel Films. Silver and gold checkerboard is the ideal choice when gold is too intense and silver is not powerful enough. This 12×12 silver and gold checkerboard rag rental can be picked up locally in Los Angeles or shipped nationwide for additional fees.
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Daily Price $50 We rent 12×12 digital green screens here at Stray Angel Films. 12×12 green screens are a great choice for when you need a small, portable chromakey option. They are outfitted with grommets for easy hanging. This 12×12 digital green screen rental can be picked up locally in Los Angeles or shipped nationwide
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Daily Price $25 We rent 12×12 Silks here at Stray Angel Films. Silks are one of the most popular choices for diffusion on set. When silks soften light, they provide a nice ambient bounce. This 12×12 silk rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and
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Daily Price $25 We rent 12×12 Solid rags here at Stray Angel Films. Solids are used to cut and control light. This 12×12 solid rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on solids for rent, please email rentals@strayangel.com
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Daily Price $50 We rent 12×12 Double Nets here at Stray Angel Films. Double nets reduce light approximately 1.5 f stops. It does so without altering the light pattern or color temperature. This 12×12 Double Net rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability
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Daily Price $40 We rent 12×12 Single Nets here at Stray Angel Films. Single nets reduce light approximately .6 f stops. It does so without altering the light pattern or color temperature. This 12×12 Single Net rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability
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Daily Price $25 We rent 8×8 Quarter Grid here at Stray Angel Films. Quarter grid provides medium diffusion of direct light. It gives you approximately 1 stop of light loss. This 8×8 Quarter Grid rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on quarter
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Daily Price $25 We rent 8×8 Half Grid rags here at Stray Angel Films. Half grid provides medium diffusion of direct light. This 8×8 half grid rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on half grid for rent, please email rentals@strayangel.com
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Daily Price $25 We rent 8×8 Full Grid rags here at Stray Angel Films. Full grid provides medium diffusion of direct light. This 8×8 full grid rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on full grid for rent, please email rentals@strayangel.com
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Daily Price $35 We rent 8×8 Silver Lame rags. Silver lame is a shiny material that is used as a slightly warm, medium soft reflector. This 8×8 Silver Lame rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on silver lame for rent, please email
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Daily Price $35 We rent 8×8 Hilite rags here at Stray Angel Films. Hilite fabric is used for diffusion. It is considered a moderate diffuser that has minimal color temperature shift. This 8×8 Hilite rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on Hilite
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Daily Price $25 We rent 8×8 Bleached Muslin. Bleached muslin is a flat reflector (as opposed to unbleached muslin which is a warm, white reflector). It is often used with overhead frames for heavy light diffusion. This 8×8 bleached muslin can be picked up locally in Los Angeles or shipped nationwide for additional fees. For
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Daily Price $25 We rent 8×8 Unbleached Muslin. Unbleached muslin is a warm, white reflector (as opposed to a bleached muslin which is a flat reflector). These are often used with overhead frames and is used for heavy diffusion of light. This 8×8 unbleached muslin can be picked up locally in Los Angeles or shipped
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Daily Price $40 We rent 8×8 digital green screens here at Stray Angel Films. 8×8 green screens are a great choice for when you need a small, portable chromakey option. They are outfitted with grommets for easy hanging. This 8×8 green screen rental can be picked up locally in Los Angeles or shipped nationwide for
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Daily Price $35 We rent silver/gold checkerboard rags here at Stray Angel Films. Silver and gold checkerboard is the ideal choice when gold is too intense and silver is not powerful enough. This silver and gold checkberboard rag rental can be picked up locally in Los Angeles or shipped nationwide for additional fees.
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Daily Price $18 We rent 8×8 silks here at Stray Angel Films. Silks are one of the most popular choices for diffusion on set. When silks soften light, they provide a nice ambient bounce. This 8×8 silk rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and
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Daily Price $18 We rent 6×6 Quarter Rags here at Stray Angel Films. Quarter grid provides medium diffusion of direct light. It gives you approximately 1 stop of light loss. This 6×6 Quarter Grid rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on quarter
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Daily Price $16 We rent 6×6 Half Grid rags here at Stray Angel Films. Half grid provides medium diffusion of direct light. This 6×6 Half Grid rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on half grid for rent, please email rentals@strayangel.com
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Daily Price $18 We rent 6×6 Full Grid rags here at Stray Angel Films. Full grid provides medium diffusion of direct light. This 6×6 Full Grid rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on full grid for rent, please email rentals@strayangel.com
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Daily Price $16 We rent 6×6 Silver Lame rags. Silver lame is a shiny material that is used as a slightly warm, medium soft reflector. This 6×6 Silver Lame rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on silver lame for rent, please email
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Daily Price $30 We rent 6×6 Hilite rags here at Stray Angel Films. Hilite fabric is used for diffusion. It is considered a moderate diffuser that has minimal color temperature shift. This 6×6 Hilite rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and availability on Hilite
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Daily Price $16 We rent 6×6 Bleached Muslin. Bleached muslin is a flat reflector (as opposed to unbleached muslin which is a warm, white reflector). It is often used with overhead frames for heavy light diffusion. This 6×6 bleached muslin can be picked up locally in Los Angeles or shipped nationwide for additional fees. For
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Daily Price $16 We rent 6×6 Unbleached Muslin. Unbleached muslin is a warm, white reflector (as opposed to a bleached muslin which is a flat reflector). These are often used with overhead frames and is used for heavy diffusion of light. This 6×6 unbleached muslin can be picked up locally in Los Angeles or shipped
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Daily Price $30 We rent 6×6 green screens here at Stray Angel Films. 6×6 green screens are a great choice for when you need a small, portable chromakey option. They are outfitted with grommets for easy hanging. This 6×6 green screen rental can be picked up locally in Los Angeles or shipped nationwide for additional
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Daily Price $25 We rent silver/gold checkerboard rags here at Stray Angel Films. Silver and gold checkerboard is the ideal choice when gold is too intense and silver is not powerful enough. This silver and gold checkerboard rag rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes
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Daily Price $13 We rent 6×6 silks here at Stray Angel Films. Silks are one of the most popular choices for diffusion on set. When silks soften light, they provide a nice ambient bounce. This 6×6 silk rental can be picked up locally in Los Angeles or shipped nationwide for additional fees. For quotes and
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Sound blankets can help absorb and minimize unwanted sound and echoes. Can also be used to wrap things in and protect them.
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An economical fog machine, excellent for applications where the effect does not have to be controlled. Weighs less than 12 lbs.
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Industry standard 35 pound sandbags. Great for securing c-stand and lightstands. A must have on every set.
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This 25lb shot bag can be used to secure c-stands, light stands, as well as other items on set.
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Industry standard 25 pound sandbags. Great for securing c-stand and lightstands. A must have on every set.
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An on-set essential, our 50’ Stingers are made with premium all-weather neoprene designed for professional use on all film productions.
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An on-set essential, our 25’ Stingers are made with premium all-weather neoprene designed for professional use on all film productions.
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Generally, mayfer clamps are found on every set. They are veratile, durable, all-purpose clamps.
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This heavy duty pressure adjustment spring clip has the power to hold pretty much anything you would need.
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C-clamps are usually found in the Grip department on every production. Has many uses from hanging to clamping.
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Used for light control and diffusion, this 24×36 Single Net is an essential part of any grip package.
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Used for light control and diffusion, this 24×36 Silk is an essential part of any grip package.
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Used for light control and diffusion, this 24×36 Double Net is an essential part of any grip package.
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Used for light control and diffusion, this 18×24 Single Net is an essential part of any grip package.
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Used for light control and diffusion, this 18×24 Single Net is an essential part of any grip package.
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Used for light control and diffusion, this 18×24 Double Net is an essential part of any grip package.
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20″ C-Stand. Half-sized version of the industry standard 40″ c-stand. Great if you need to set up flags at a low-height.
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Industry standard light stand that does a fantastic job of holding most any light you’d need it to.
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The LTM 1200 HMI is a great choice for many productions because it operates on a normal household outlet. It weighs 17.6 lbs and has a 5/8” stand mount.
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This light is capable of producing as much output as a 4,000 watt quartz fixture with the power draw of only 11 Amps! Small enough to fit inside one tiny airline case.
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Comparable to a 1500W quartz fixture but with a power draw of only 5.5 Amps. The Joker-Bug 400 is the largest 30 volt battery powered HMI.
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Weighs only 3.5lbs and it’s output can be compared to a 750 Watt quartz fixture, but only draws 3 amps of power. Works great for interviews, small interiors, & documentaries.
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Lensless, open face lighting fixture. Combines the desired light distribution from the optics of a PAR and a Fresnel fixture. The “brightest HMI you can plug in to the wall”.
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This Mole LED Tweenie pulls only 100 watts, but puts out the equivalent of a 600 watt light. Acts like the traditional Frensels that you are used to.
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This Mole LED Junior pulls only 200 watts, but puts out the equivalent of a 1300 watt light. Acts like the traditional Frensels that you are used to.
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This Mole LED Baby pulls only 150 watts, but puts out the equivalent of a 900 or 1K watt light. Acts like the traditional Frensels that you are used to.
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The LitePanels Mini Flood Kit contains an on camera Daylight balanced dimmer light with gels. Uses an LED for light and draws a small amount of current for 25 Watts.
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An ideal on-camera beauty light. Features 72 LED lights. The element encircles the lens and offers a direct, soft, adjustable, and innovative lighting capability.
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An ideal on-camera beauty light. Features 72 LED lights. The element encircles the lens and offers a direct, soft, adjustable, and innovative lighting capability.
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A compact, on-camera LED light. Provides soft light that is easily changeable between daylight and tungsten, as well as dimmable.
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An LED light panel that emits soft loft. The equivalent output of a 2000w tungsten soft light. High CRI of 95 for accurate color rendition.
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An LED lighting fixture that has the equivalent output of a 750w tungsten soft light. It has full color temperature control, 2700K to 6,500K.
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The new 1×1 Litepanel Astra has all the great features of previous bi-color litepanels, but can throw out up to 4x the amount of light.
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Arri’s new LED light. Control light color temperature with the simple twist of a knob. Since the light is LED, it doesn’t heat up and saves electricity costs.
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Litepanels are light, compact, and able to run on Anton Bauer Batteries. This makes them ideal for travel and on-location shooting.
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Litepanels are light, compact, and able to run on Anton Bauer Batteries. This makes them ideal for travel and on-location shooting.
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Mole-Richardson is one of the best known names in the industry, and synonymous with quality. Front and rear Molecool Paddle Keyed to graduated spot-flood scale.
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Mole-Richardson is one of the best known names in the industry, and synonymous with quality. This 10K provides lots of light and has a handle for focusing.
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The ARRI 750 plus is the newest version of the poplar ARRI open face light. It optimizes the ARRIMAX reflector, offering greater light output.
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Despite the small size, short focal length lenses with wider angles give more light output and better light distribution over the full beam area.
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Despite the small size, short focal length lenses with wider angles give more light output and better light distribution over the full beam area.
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The special designed reflector gives a balance between controllability, efficiency and provides an exceptionally even field of illumination.
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An industry favorite, the Arri 1K Fresnel is a 1,000 watt light. Despite the small size, short focal length lenses with wider angles give more light output.
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Despite the small size, short focal length lenses with wider angles give more light output and better light distribution over the full beam area.
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Has a 30% light increase from older models and are able to throw a beam of light of 219 footcandles 26 feet in diameter from 20 feet away at full flood.
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Recommended for lighting interviews, documentaries, and more. Includes Arri’s most popular lights the Arri 650 and Arri 300 Fresnels in a compact case with wheels.
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The Mini-Flo System, sometimes called a car kit can be found most often lighting night time car interiors and other small areas.
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The Kino Flo Kamio 6 can provide a soft, glamour light for close-ups in both film and photography. The soft, cool Kamio light falls gracefully on the subject’s face.
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Combines a large, shadowless softlight coverage of quality light that’s easily controlled with no dramatic shift in color, ease of rigging and low energy consumption.
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The Kino Flo Barfly 200 is an efficient, compact, controllable, fluorescent light that are able to squeeze in to tight spots. Ideal fill & hair light.
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The Kino Flo Barfly 400 is an efficient, compact, controllable, fluorescent light that are able to squeeze in to tight spots. Ideal fill & hair light.
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The Diva-Lite 400 and 200 are soft light sources ideally suited for Television or Film documentary shooting styles. The units provide a broad soft and diffuse light.
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Uses cool running 2′ flourescent bulbs to light up your talent or set. Slient, flicker free operation & no temperature color shift when light levels are changed.
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The 4BANK SELECT System consists of a four lamp fixture operated by a remote ballast. Makes a great soft key or fill source. Daylight & Tungsten bulbs available.
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Save your back by using an Easyrig with your camera or gimbal. Redistributes the weight from your neck and shoulders to your hips.
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Camera support system that is designed for use with handheld video cameras. A cost effective way to get stable, handheld shots with cameras weighing less than 10 lbs.
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This EasyRig 300N helps to redistribute the weight from cameras so that handheld camera operators to not get fatigued as quickly. Holds 11-17lbs.
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The eyeSpy line of DSLR rigs are ideal for any filmmaker who wants a shoulder-mounted ergonomic support system for their DSLR.
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The Element Mantis is a highly customsizable handheld rig that is suitable for multiple cameras. Fast switching from tripod to handheld.
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This porta-jib is a light weight, yet heavy duty jib. It is designed to carry up to a 100lb camera package and can be assembled in just 5 minutes.
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This rugged slider is made with heavy duty fast rail and is perfect for larger, heavier cameras like the RED One, or Arri Alexa.
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A compact camera slider that can be packed in a small bag or backpack yet still allows for a full 2 feet of movement. Can be mounted on a tripod or used on the ground.
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Sophisticated fast rail slider that is designed to give you a small dolly move with minimal setup. Can a hold a camera package up to 100lbs.
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Sturdy, portable and versatile. Plus it just looks sexy. Comes with base, high and mid-level telescopic posts, low mode adapter, 4ft. slider and sliding base.
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The Cartoni JIBO is a great lightweight, compact jib arm. It breaks down in to three sections to make it easier to transport.
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This 33 foot jib includes a pan-tilt-roll-head, operator, and wireless follow focus. It can hold camera packages up to 35 lbs.
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This slider is lightweight and ideal for travel. It is 3′ long and can hold up to 15lbs. The elektraDrive motion controller is also included.
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Kessler’s Oracle Control System is a fully electronic motion control system that is perfect for your next motion controlled timelapse project.
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The Kessler Parallax is an add on for Kessler Cinesliders. It allows for automatic panning and fixed-point shooting capabilities.
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The Kessler Parallax is an add on for Kessler Cinesliders. It allows for automatic panning and fixed-point shooting capabilities.
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The Kessler 5 foot CineSlider is a heavy duty portable mini-dolly / linear slider system for camera rigs weighing up to 80 pounds.
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The Kessler 3 foot CineSlider is a heavy duty portable mini-dolly / linear slider system for camera rigs weighing up to 80 pounds.
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The Steadicam Scout can handle camera package weights between 5 to 18 lbs. Ideal for cameras like the C300 and RED Packages.
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The new Steadicam Pilot is a state of the art, lightweight stabilizer system designed especially for the modern breed of lightweight cameras from 2 to 10 pounds.
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The DJI Ronin-M is the little brother to the Ronin stabilizer. Holds camera packages up to 8lbs and weighs half as much as the original.
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A handheld, 4K 3-axis gimbal stabilizer. Uses DJI’s Zenmuse X3 camera to capture 4k up to 24fps, HD up to 120fps.
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The DJI Ronin is a 3-axis gimbal stabilizer. It can hold anything from a 5D up to a RED EPIC. DJI boasts a “5 minute set-up and balance”.
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This Sachtler Fluid Head Tripod has an 18-step counterbalance that can be adjusted easily and safely in 9 stages and permits 90 degree tilt angles.
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Weight: 7.7 lb Payload: 44 lb Counterbalance: 7 steps Balance plate: 110 mm / 4.4″ Grades of drag: 7 horizontal 7 vertical and 0 Tilt range: ±90° even with max.
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The DV6SB can support and balance cameras from 2 to 20lbs in a compact, lightweight head. Like everything Sachtler makes, the tripod is tough as nails and reliable.
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The DV 10 SB is Sachtler’s smallest 100mm fluid head tripod. It has twelve steps of counterbalance and can hold up to 26 lbs.
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The O’Connor 2575 Head with Standard and Baby Legs and a Mitchell Mount Hi-Hat is the gold standard for tripod support.
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Heavy duty fluid head tripod. Can hold camera packages up to 41 lbs. Great for heavier packages such as Arri Alexas, REDs, and other large cameras.
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A compact 4-section aluminum fluid monopod. It has a fluid head and allows for smooth panning and tilting movements.
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The Manfrotto 529B enables you to get shots from the lowest possible position. Features adjustable leg angles to mount the camera in the tightest or lowest of locations.
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With payload capacity of 13.2 lb (6 kg, the 503 fluid head is designed to support the latest range of professional digital cameras.
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The Libec H38 Professional Fluid Head offers fixed counterbalance, silky-smooth fixed fluid drag, and a convenient, industry-standard 75mm leveling ball.
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A fluid head tripod that can hold up to a 26lb camera pacakge. Compact and lightweight, it is ideal for ENG, News, or similar productions.
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An SxS PRO memory card reader/writer that works on both Windows-based PCs and Macintosh computers via a USB 2.0 interface.
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Will record approximately one hour of video with XDCAM EX camcorders. It has a high-speed transfer rate of up to 800 Mb/s.
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SXS Cards are great combination of speed and reliability which is why EX-1, EX-3, F3 and ARRI ALEXA all use the format.
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The RED-DRIVE™ is the workhorse of RED ONE™ digital media choices. It is an outboard media format that can be mounted in the RED RAIL CRADLE on the camera body.
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The RED STATION REDMAG 1.8″ (MINI) is perfect for offloading your REDMAG 1.8″ media when workspace is limited and portability makes all the difference.
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RED Mini-Mags are the fastest, smallest, and most powerful media option for your RED EPIC or SCARLET camera.
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The Panasonic AJ-PCS060G is a hard disk storage device specifically for the P2 solid state memory cards used in DVCPRO-HD/50/25 camcorders.
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Panasonic’s industry standard solid state memory cards are fast, rugged and reliable. Capacity comparable to and often greater than tape and disc-based media.
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Panasonic’s industry standard solid state memory cards are fast, rugged and reliable. Capacity comparable to and often greater than tape and disc-based media.
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Panasonic’s industry standard solid state memory cards are fast, rugged and reliable. Capacity comparable to and often greater than tape and disc-based media.
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Ideal for portable use on the road or at home with a desktop or laptop. Your data and pictures can be instantly transferred to your PC/Notebook.
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This Apple iMac computer rental is great whether you need an on set DIT/date management center, or have an editing project.
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SanDisks Ultra II is the high performance digital memory solution for the serious photographers. Provides the durability and high speed quality desired by professionals.
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Sandisk’s 16GB CompantFlash is a high-speed CF card featuring fast 90MB/sec read/write speeds. Works great with HDSLRs and RED cameras.
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Add to cartThis 480 GB SSD (Solid State Drive) can be rented and used in external recorders, Blackmagic Cameras, or anything else that you may need an SSD for.
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SanDisks Ultra II is the high performance digital memory solution for the serious photographers. Provides the durability and high speed quality desired by professionals.
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A high-speed CF card featuring fast 60MB/sec read/write speeds. Works great with Compact Flash compatible digital SLRs and other feature-rich compact cameras.
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This 240 GB SSD (Solid State Drive) can be rented and used in external recorders, Blackmagic Cameras, or anything else that you may need an SSD for.
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The REDVolt travel charger is a compact travel charger for REDVolt batteries. Please note that this charger cannot charge REDVolt XL batteries.
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The REDVolt is a lightweight battery for the EPIC and SCARLET cameras. One REDVolt battery can charge an EPIC or SCARLET for approximately 30-45 minutes.
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The RED QUICKPLATE is a lightweight BATTERY PLATE mounting solution for those that do not need the RED DRIVE/FLASH-holding features of the RED RAIL CRADLE.
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Lightweight and convenient, this fully automatic charger will charge two RED BRICKS safely and quickly. Can be used to power the camera with a DC power cable.
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The RED BRICK is a 140Wh V-Mount battery designed to be light, fast charging and powerful. Basically everything you need in battery.
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The BATTERY BELT CLIP provides a portable solution ideal for lightweight hand-held configurations. Clips directly onto belt.
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RED AC Power Adapter Plug. Compatible with both MYSTERIUM & MYSTERIUM-X® sensor RED ONEs. Power RED ONE directly from wall outlet.RED AC Power Adapter Plug. Compatible with both MYSTERIUM & MYSTERIUM-X® sensor RED ONEs. Power RED ONE directly from wall outlet.
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The Panasonic DE-A49 is a replacement battery charger/AC adapter unit, the same as ships with compatible Panasonic G-series interchangeable lens digital cameras.
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The Panasonic VW-VBG6 is a 7.2V, 5400mAh replacement lithium-ion battery for the AG-AF100, HMC150, and other AVCCAM camcorders.
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Add to cartStock power supply kit for the Panasonic DVX-100, HVX-200/200A and HPX-170 camcorders. Also works with most batteries for monitors.
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30% more stamina than the NP-F960 rechargeable battery pack, the NP-F970 provides up to eighteen hours of continuous recording time.
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The Mophie Powerstation duo can charge any two USB devices at once and faster than a standard wall charger can. Weighs only 1 lb and can fit in to a pocket.
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Communicates remaining running time and wears data back to the XF-series Professional Camcorders, so the user is well-informed at all times.
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The Canon LP-E6 Rechargable Lithium-ion Battery Pack works with the EOS 5D Mark II, 5D Mark III, 60D, 7D digital cameras. On a single charge the LP-E6 can shoot about 850 still shots.
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Canon Battery Charger LC-E6 for Canon LP-E6 Battery Pack. Charges batteries that most Canon DSLRs use such as the Canon 5D Mark II, Mark III, and 7D.
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For Canon EOS Cameras. Use this adapter to power your Canon 5D, 7D, or 1D using any A/C circuit or outlet in place of batteries.
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Fully automatic digital charger capable of performing diagnostics and charging up to four Anton Bauer Gold Mount batteries at the same time.
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This rental includes (2) Anton Bauer Dionic 90 HC batteries and (1) Anton Bauer twin charger.
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Weighs less than 2 pounds. It will run a typical 25-watt camcorder for over 3 hours. Compatible with existing Anton Bauer Interactive2000 PowerChargers.
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The Hytron 140s are the longest lasting batteries we rent and can really come in handy when you’ve got a power hungry camera or need an accessory to last all day.
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A 2K/4K 16-Bit RAW recorder for the Sony F5 and F55 cameras. Allows you to high speed frame rates up to 240fps 2K RAW.
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A 7″ 4K recorder that has both HDMI and 12-G SDI inputs. Can record 10-bit 4:2:2 UHD 4K and HD videos in Apple ProRes. Doubles as on on-camera monitor.
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7.7″ monitor and recorder. It records HD or 4K Apple ProRes 422(HQ) or uncompressed video DPX files as well as ARRI & Sony RAW.
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The Teradek Bolt Pro 300 is a wireless video transmission system for both HDMI and HD-SDI. It supports wireless HD video with zero delay (<1ms) up to a 300 ft range.
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The Teradek Bolt Pro 2000 is a professional wireless video transmitter that can transmit video from up to 2000 feet away.
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The SmallHD 702 is part of a new breed of daylight viewable monitors. Full 1080 HD LCD monitor. Powered by both Canon & Sony batteries.
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The SmallHD 502 is a 5 inch on-camera OLED monitor. Full 1080 HD resolution and a pixel density greater than the iPhone 6.
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The RED BOMB EVF is a high-definition, lightweight viewfinder that aligns quality performance with compact form factor. Can be used with all RED cameras.
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Designed for broadcast and studio applications. Utilizes advanced processing technology to reproduce images with color and contrast qualities found only in CRT monitors.
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A 7″ on-board camera monitor that offers high resolution, high contrast, and a high brightness display. HDMI/SDI inputs & outputs.
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This HDSDI EVF (electronic viewfinder) has an LED-backlit LCD that displays 24-bit RGB 960×640 in a 16:9 aspect ratio.
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This 17″ TV Logic Director’s Monitor has a 1336×768 display, 900:1 contrast ratio, SDI inputs, waveform, vector scope, and focus assist.
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Has all the pro features you need, including pixel to pixel mode, split screen and waveform monitor and HD-SDI pass through.
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High Definition signal that can be viewed wirelessly as much as 150 feet away High Definition signal that can be viewed wirelessly as much as 150 feet away.
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The DP6 delivers HD at 1280×800 resolution, making it the smallest HD monitor available. You truly see what you get, so there are no surprises in the editing room.
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The Zacuto EVF Pro easily attaches to DSLRs through HDMI and makes them easier to use for things such as handheld shots.
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The DP7 Pro OLED is a brand new on-board monitor from SmallHD. This monitor has all the bells and whistles you could want: scopes, waves, LUTs, and signal conversion.
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The Proprompter HDi is light weight, full size iPad teleprompter. Fits both professional and consumer cameras. Rental is a full kit, including an Apple iPad.
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The Redrock Micro Remote is the most affordable wireless follow focus on the market. You can start/stop your camera and pull focus from up to 300′ away.
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Its ergonomic design provides a rounded grip for comfortable long-term use. The integral camera run switch allows remote on/off operation for all cameras.
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Preston FI Z, wireless lens and camera control system is known worldwide for its combination of precision, simplicity and ruggedness.
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Accepts up to three filters, two top loading (4×5 or 4×4) and one 138mm in the bellows ring. The rear filter frame is rotatable up to 360 degrees.
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Solid follow focus that can work with either 15mm or 19mm studio rods. Eliminates the need for seperate bridge plates. Works well with larger diameter lenses.
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The mattebox also has an awesome rubber bellows that expands to fit multiple lenses. This is one of the best bellows systems I have seen yet.
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Designed specifically for use with HDV and HDSLR cameras, the Chrosziel Follow Focus is small and light weight.
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One of the industry’s most desired and well respected solutions for remote focus work. Has a delay of only 3 milliseconds, and a 12-bit resolution.
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Most Steadicam Operators prefer the Arri LMB-5 over any other light weight clip-on matte boxes on the market. When quality counts, think Arri.
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The ARRI MMB-1 is the only small form-factor mattebox allowing for use of three filters, including one fully-rotatable round.
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A lightweight, single-sided follow focus. It is fully adjustable, which allows the unit to be mounted to any camera system with 15 mm lightweight support rods.
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Arri MB-20 is a compact and flexible wide-angle mattebox for film and video cameras. It accepts all HD zooms, HD primes, small cine zooms, and most cine prime lenses.
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Arri MB-14 Studio 6×6 Matte Box for 19mm Rods is the basic kit for 19mm rod system. Will connect to virtually any sized lens with the use of filter and adapter rings.
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The ARRI LMB-5 is a light weight, clip on matte box. It features a 3-stage 4×5 filter guide.
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The Arri FF-5 Follow Focus System provides smooth focus pulling in a compact, efficient package. Like everything ARRI makes, it’s durable, precise and well-engineered.
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This E-mount lens is a great choice for cameras like the FS7. The constant maximum aperture of f/4 offers consistent performance throughout the zoom range.
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A full range power zoom lens that was designed with 4K production in mind, but also with many features for still photography cameras. Stock lens on the FS7.
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This Sony 16-50mm lens is e-mount, and an ideal pairing for cameras like the Sony A7S II. It has a variable aperture, 3.5-5.6.
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This is an excellent low-light, wide angle lens. It is very lightweight and compact, small enough to fit in your pocket.
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These vintage Canon K-35 lenses are less sharp than modern lenses but offer great contrast. Used to shoot the film Aliens.
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They can’t compare with modern glass in the way of sharpness, instead the lenses give you a soft look, almost like you are using a Black Pro-Mist filter.
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This Kipon EOS-m4/3 Canon EOS to Micro Four Thirds lens adapter alows you to attach EF Mount lenses to a Micro 4/3 Mount camera body. Does allow aperture control.
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The Redrock LiveLens allows you to go from you Micro 4/3 mount to EF so that you can use Canon lenses. It is a smart adapter so you have full aperture control.
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Canon’s 2x II Extender is a teleconverter that can double the focal length of a lens. While the extender multiplies the lens length by 2x, it also decreases the f-stop by 2 stops.
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Allows you to put almost any Canon EF lens on a Sony camera. You do not lose light with this adapter as you would with most others.
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Lets you use popular Canon EF lenses on Sony cameras like the FS100 & FS700. Also increases aperture by 1 stop and makes lenses 0.71x wider.
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This lens gives you the shallow depth of field and sharpness of primes from Cooke or Zeiss but with the added ability to zoom. Weighs 3.3 lbs.
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This lens gives you the shallow depth of field and sharpness of primes from Cooke or Zeiss but with the added ability to zoom. Weighs only 2.3 lbs.
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A wide angle zoom lens that offers the standard CN-E lenses features such as: minimal breathing, sharp images, and 4K coverage.
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Cine-altered PL mount version of the popular Tokina 11-16mm. Includes a high-quality geared manual aperture for maximum exposure control.
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The Cooke 25-250mm MKII T3.9 zoom lens offers the classic “cooke look” in a medium sized body with an impressive range.
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The Angenieux 30-76mm lens weighs only 4.2lbs and is considered a lightweight zoom. It is manufactured to achieve 4K resolution and beyond.
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Has a fast aperture of T2.8 throughout the entire zoom range. Because of the internal focus design, no signs of breathing are exhibited during focus pulls.
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Part of Canon’s new family of cinema lenses. Has virtually no breathing, has smooth bokeh, and was engineered specifically with 4k camera’s in mind.
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Arguably the most popular and recognizable lens in the Angeniuex line. Sharper than most prime lense series at equivalent focal distances and a fast T2.8.
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Features a new optical design that eliminates breathing and ramping while offering superior levels of optical performance across its entire zoom range.
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The Angenieux 45-120mm is a T2.8 PL mount lens that provides a great range and is small and light enough to fit naturally into a handheld camera configuration.
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The Angenieux Optimo 17-80mm T2.2 PL mount lens rental has a fast aperture of T2.2 with no ramping, 329° focus rotation with over 50 precise focus witness marks and minimal breathing.
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Features a new optical design that eliminates breathing and ramping while offering superior levels of optical performance across its entire zoom range.
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Alura Zooms have an extremely high optical performance combined with a small size and weight. Has color characteristics that match existing Arri prime lenses.
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Alura Zooms have an extremely high optical performance combined with a small size and weight. Has color characteristics that match existing Arri prime lenses.
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Alura Zooms have an extremely high optical performance combined with a small size and weight. Has color characteristics that match existing Arri prime lenses.
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Offers crystal clear color and contrast with excellent matching across all focal lengths. This set of lenses is widely considered “Top Tier” in the industry.
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The Zeiss Super Speeds have been a favorite of the film industry for over 30 years. They have a very fast aperture of T1.3 , small body, and flattering image rendition.
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These Zeiss Standard Speed lenses have been cherished and used for over 40 years in the industry. A little softer and more contrasty than modern lenses.
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These lenses give the classic “Cooke look”, “a sharp, subtle, smooth rendering that provides dimensionality and high contrast, and pleases the eye”.n.
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Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture.
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This is a set of 6 Cooke S4 Minis. It includes 18mm, 25mm, 32mm, 50mm, 75mm, & 100mm prime lenses. Color-matched to Cooke S4’s.
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All Cooke S4 prime lenses are color balanced to a specification within parameters approved by Kodak, and all have a true T2 aperture and cover Super 35mm format.
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All Cooke S4 prime lenses are color balanced to a specification within parameters approved by Kodak, and all have a true T2 aperture and cover Super 35mm format.
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All Cooke S4 prime lenses are color balanced to a specification within parameters approved by Kodak, and all have a true T2 aperture and cover Super 35mm format.
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All Cooke S4 prime lenses are color balanced to a specification within parameters approved by Kodak, and all have a true T2 aperture and cover Super 35mm format.
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All Cooke S4 prime lenses are color balanced to a specification within parameters approved by Kodak, and all have a true T2 aperture and cover Super 35mm format.
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All Cooke S4 prime lenses are color balanced to a specification within parameters approved by Kodak, and all have a true T2 aperture and cover Super 35mm format.
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All Cooke S4 prime lenses are color balanced to a specification within parameters approved by Kodak, and all have a true T2 aperture and cover Super 35mm format.
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All Cooke S4 prime lenses are color balanced to a specification within parameters approved by Kodak, and all have a true T2 aperture and cover Super 35mm format.
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All Cooke S4 prime lenses are color balanced to a specification within parameters approved by Kodak, and all have a true T2 aperture and cover Super 35mm format.
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Add to cartThe Summicron-C lenses are a lighter, less expensive version of Leica’s premiere Summilux-C lenses. They provide full covereage, even on RED DRAGON.
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Add to cartThe Leica Summilux-C PL mount lenses were designed to go head to head with Master Primes, and they deliver. High contrast lenses with a fast T-Stop of 1.4 across the set.
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Part of Canon’s new family of cinema lenses. Has virtually no breathing, has smooth bokeh, and was engineered specifically with 4k camera’s in mind.
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An ENG zoom with full Super 35mm and 4K coverage. Lens motors are quiet and quick. The zoom rocker gives you very smooth feathered starts and stops.
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Ultra-wide angle lens with a fast f/2.8 aperture ideal in low-light situations. Designed for APS-C sized sensors like the 7D or Blackmagic Cinema Camera.
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Handy, all-in-one compact zoom lens for versatile and easy subject selection while traveling, etc. Offers the highest optical performance in its class & close focus of 2.3 feet.
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The Canon EF 8-15mm f/4L series lens is an ultra wide-angle fisheye lens for both full-frame and APS-C size sensors. This lens gives a 180 degree angle of view.
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Boasting a superb build, mechanical, and optical quality as well as a widely used range of focal lengths, this is one of the best and most popular Canon lenses made.
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A high performance, and ultra wide-angle Canon L-series lens. The circular aperture produces a beautiful and natural background blur when shooting at wider apertures.
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The 70-200mm L lens family shows many genetic similarities aside from their obvious focal length range similarity.
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Offers extended coverage to an ultra-wide-angle 24mm, making it ideal for digital as well as film shooters. Weighs 2.1 lbs and has a close focusing distance of 1.25′.
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These lenses offer spectacular optical performance for demanding high-end productions. Deisgned for 4K production, covers an entire full-frame sensor.
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Add to cartThis 35mm L series lens offers a fast maximum aperture of f/1.4. This allows you to effectively shoot in low light situations and gives you a killer DOF.
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Add to cartThe Zeiss Distagon f/2.8 21mm ZE lens is a precision wide angle lens that produces accurate color and professional-quality, high contrast images.
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Add to cartThe Zeiss Compact Prime CP.2 85mm T2.1 weighs 2.2 lbs. the a front diameter of 114mm and close focus at 1′. Has the functionality and handling of a motion picture lens.
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These Zeiss lenses provide brilliant lighting under all lighting conditions, and out perform Canon EF lenses. They focus manually and provide a high contrast picture.
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The world’s first Cine lenses designed for use with HDSLR cameras. A stop faster than the standard speed Zeiss CP.2s making it ideal for use in low-light.
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The world’s first Cine lenses designed for use with HDSLR cameras. Can be in either PL or Canon Mount allowing them to work with almost all popular cameras.
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These lenses offer spectacular optical performance for demanding high-end productions. Designed for 4K production, covers an entire full-frame sensor.
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These lenses offer spectacular optical performance for demanding high-end productions. Designed for 4K production, covers an entire full-frame sensor.
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URSA Mini is a 4K global shutter camera in a small, compact body. It is currently the world’s lightest handheld Super 35 camera, weighing just 5 lbs.
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Add to cartThe Blackmagic URSA is a 4K camera with a CMOS gloabl shutter sensor. It has 12 stops of dynamic range and records lossless RAW footage.
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The Blackmagic Pocket Cinema Camera is a pocket sized Super 16 digital film camera that’s small enough to keep with you at all times. Offers 13 stops of dynamic range and 1080p recording.
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2.5k sensor, 13 stops of dynamic range, and a built-in SSD recorder with the ability to capture uncompressed 12-bit RAW footage, Apple Pro Res, or DNxHD.
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The Blackmagic Production Camera is the 4K version of the Blackmagic Cinema Camera. It has an EF mount and a professional global shutter.
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Attach your GoPro camera with this industrial strength suction cup to cars, boats, motorcycles and more. Proven at speeds of 150 mph.
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Attach your GoPro camera to roll bars, tubes and more. Fits 1.4″ to 2.5″ (3.5cm – 6.35cm) diameter tubes. Perfect for clamping your camera to the radiator cap.
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The LCD Touch BacPac is a removable LCD touch screen for GoPro cameras. Keeps your camera small and light, yet provides the convenience of an LCD screen.
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Allows you to strap your GoPro camera to your head. works with all GoPro’s including the original Hero, Hero 2, and Hero 3
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Allows GoPros to clamp on handlebars, seatposts, ski poles and more. Comes with pivoting orientation arms allowing for 3-way adjustability.
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Makes it easy to extend your GoPole and get a higher POV. It can capture both rear and forward facing 180 degree footage. Weighs only 8 oz and fits in a backpack.
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Easy to spot flotation backdoor lets your HD HERO camera float in water. Compatible with ALL HERO3, HERO2, and HD HERO Original Cameras.
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Add to cartAllows you to attach your GoPro to your chest. Great for sports, especially skiing and mountain biking. Gives you a lower angle than the head strap.
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Battery Bacpac attached to your GoPro camera and gives you an estimated 2xs the normal battery life. Perfect for timelapses and any other time you need double the battery life.
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The Panasonic GH is back and better than ever! The GH4 can record up to 100 Mbps 4K resolutions. Packs more punch than any other DSLR in its price range.
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The Panasonic DVX-200 is the 4K descendant to their hit DVX-100 camera. A great choice for documentary and reality productions.
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The Panasonic GH is back and better than ever! The GH4 can record up to 100 Mbps 4K resolutions. Packs more punch than any other DSLR in its price range.
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A 12.2 MP mirrorless camera that supports uncompressed 4:2:2 UHD 4K recording via an external recorder, and full 1080p HD at 50 Mbps internally.
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The Sony PMW-EX3 has an interchangeable lens system incorporates 3 1/2″ full HD CMOS sensors that delivers stunning-quality HD images in 1080P, 720P, and 1080i.
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The Sony PMW-200 boasts three ½-inch Full HD Exmor CMOS sensors and supports the 50 Mbps MPEG HD422 codec as well as MXF recording.
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4K resolution in a DSLR body. Ideal for travel, photojournalism, documentarians, and anyone else needing a lot of resolution in a small body.
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With 4K, 2K, 1080p, high speed frame rates, and 14 stops of dynaminc range, the Sony F55 is a dream camera for almost any DP or cinematographer.
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Bringing you most of the same features as the Red Epic at a fraction of the cost, the Scarlet has made 5K acquisition the most affordable it has ever been.
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The Red Epic offers a dynamic of up to 18 stops through the HDRx feature, frame rate capabilities of up to 300 frames per second at 2k and 120 frames per second at full 5K.
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Add to cartThe ARRI ALEXA Digital Cinema camera has become the camera of choice for DPs who want the look and performance they once expected from film.
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The EOS 5D Mark II has a stunning 21.1-megapixel full-frame CMOS sensor with DIGIC 4 Image Processor, and a vast ISO Range of 100-6400.
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The Canon 5D MKIII / Mark 3 has many improvements from the MKII including updated card slots, a headphone jack, a dedicated start/stop switch and a 60fps option.
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The C500 is the top tier camera in Canon’s “C” line of video cameras. It takes the technologies of the EOS 1D-X and 4K RAW and puts it in the same body as the Canon C300.
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The Canon C100 takes DSLR quality video and puts it in a more traditional and user friendly camera body. Ideal for documentaries, music videos, and interviews.
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This PL version of the C300 gives you the same desirable ergonomics and tech specs of the EF Mount C300, but allows you to attach professional PL Mount lenses.
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The camera is designed from the ground up to harness the power of Canon’s large sensor DSLRs and put it in a powerful, professional and easy to use video camera body.
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The Panasonic HPX170 us an ultra-mobile P2 HD handheld camcorder with a host of pro features. Records to rugged, reliable P2 cards and industry standard DVCPROHD workflow.
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The Panasonic HVX200 is a true high definition image quality with low-compression DVCPRO HD intraframe recording. Can record to either P2 card slots or MiniDV tapes.
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This flash-memory based camera is capable of a variety of frame rates. Its 1/2″ CMOS sensors provide unprecedented levels of image clarity in the prosumer market.
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Add to cartThe Canon 7D is one of the most popular APS-C sized cameras among both photographers and filmmakers. It takes 18 megapixel photos and shoots full 1080p HD video.
