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This Sony lens has wide zoom range and makes an excellent all-around lens. It has a constant f/4 aperture and consistent performance throughout it’s range.
The Zeiss 70-200mm CZ.2 is a compact zoom lens that offers full-frame coverage. It weighs just 6.2lbs, making it an ideal zoom from handheld and gimbal work.
Daily Price $150 Weekly Price $450 We rent 300mm RED…
Offers full-frame coverage, robust cine-style housing, a round 18-blade iris, consistent aperture over the zoom range, and a close focus of 2’8”.
Tilt Shift lenses allow you to control perspective and enable precise control over depth of field. They are most commonly used in landscape or architecture photography.
Xenon FF prime lenses are the newest lenses from Schneider. They were developed specifically for use with full frame sensor HDSLR cameras.
A hybrid between a bellows camera and a tilt-shift camera. It can bring one area of a photo into sharp focus, surrounded by increasing blur.
These lenses use special optical technologies such as Ultra-low Dispersion UD glass, Super Low Dispersion glass, Fluorite elements, and Aspherical elements.
This Canon 90mm TS-E lens provides tilt-shift functions to control perspective and correct convergence of lines within your frame. Most often used for landscapes.
This Canon 85mm f/1.2L lens has a very fast maximum aperture, making it an excellent choice for low light situations. Superior optics and solid build.
These lenses offer spectacular optical performance for demanding high-end productions. Deisgned for 4K production, covers an entire full-frame sensor.
This Canon L series lens has a maximum aperture of f/1.4 making it the perfect lens when you need a wide angel shot in a low-light situation.
This 100mm Canon L series lens is a macro lens, so you can shoot up close to your subject. It offers 1:1 magnification and a minimum focusing distance of 12″.
The Zeiss 100mm Makro Planar has for many years been considered the sharpest prime lens made and is now available in Canon mount.
The Zeiss ZE 85mm short telephoto is a classic portrait focal length which is further enhanced by the long barrel rotation for precise control of the focus point in the image.
With the introduction of the Makro-Planar T* 2/50, Carl Zeiss expands its existing ZE line of lenses for EF-mount cameras.
The high-speed, moderate wide-angle Distagon T* 2/35 ZE fits all analog and digital EOS cameras.
The Zeiss Compact Prime CP.2 85mm T1.5 weighs 2 lbs with a front diameter of 114mm and close focus at 40″. Has the functionality and handling of a motion picture lens.
The Zeiss Compact Prime CP.2 50mm T1.5 weighs 2 lbs with a front diameter of 114mm and close focus at 17.7″. Has the functionality and handling of a motion picture lens.
The Zeiss Compact Prime CP.2 35mm T1.5 weighs 2.4 lbs with a front diameter of 114mm and close focus at 12″. Has the functionality and handling of a motion picture lens.
The Zeiss Compact Prime CP.2 50mm T2.1 weighs 2.0 lbs with a front diameter of 114mm and close focus at 18″. Has the functionality and handling of a motion picture lens.
The Zeiss Compact Prime CP.2 35mm T2.1 weighs 2.2 lbs. the a front diameter of 114mm and close focus at 1′. Has the functionality and handling of a motion picture lens.
The Zeiss Compact Prime CP.2 21mm T2.9 weighs 2.2 lbs with a front diameter of 114mm and close focus at 10″. Has the functionality and handling of a motion picture lens.
Features an ultra-large aperture for a narrow depth of field and soft background blur. Its lens coating and construction minimize ghosting and flare.
A great ultra wide angle lens that has minimal distortion unlike a fisheye. Can see 114 degrees of view. Great for small interiors or sweeping landscape shots.
The Canon 85mm f/1.8 EF USM Autofocus Lens is a highly practical medium telephoto lens with superb delineation and portability. Images are sharp and clear at all apertures.
50mm standard lens with f/1.8 maximum aperture. Traditional Gauss-type optical design is extremely sharp. Focuses as close as 18 inches for extreme close-ups.
28mm wide-angle lens with f/1.8 maximum aperture for Canon SLR cameras. 1-foot close focusing distance; light enough to function as standard wide angle lens.
RED Pro Primes are a great option for productions who need PL lenses but don’t quite have the budget for Master or Ultra Primes. Coverage of 4k sensors and a crisp image.
Fujinon Cabrio 19-90mm PL mount lens is an extremely versatile professional zoom lens. Has the longest focal range of any lightweight zoom.
The Master Primes are a fast, revolutionary and unique. They have no visible optical distortion, footage can be matched easily with computer-generated imagery.
The Optimo DP 16-42 has an aperture of T2.8 and is a lightweight and compact PL mount zoom lens designed for digital cameras.
A highly versatile zoom lens for use with large format digital production cameras. The Optimo DP Series lenses deliver superior optics.
Combines the sharp resolution, high contrast, low distortion and perfect color rendition of Zeiss lenses with the cinematic features of professional video lenses.
This E-mount lens is a great choice for cameras like the FS7. The constant maximum aperture of f/4 offers consistent performance throughout the zoom range.
A full range power zoom lens that was designed with 4K production in mind, but also with many features for still photography cameras. Stock lens on the FS7.
This Sony 16-50mm lens is e-mount, and an ideal pairing for cameras like the Sony A7S II. It has a variable aperture, 3.5-5.6.
This is an excellent low-light, wide angle lens. It is very lightweight and compact, small enough to fit in your pocket.
These vintage Canon K-35 lenses are less sharp than modern lenses but offer great contrast. Used to shoot the film Aliens.
They can’t compare with modern glass in the way of sharpness, instead the lenses give you a soft look, almost like you are using a Black Pro-Mist filter.
This Kipon EOS-m4/3 Canon EOS to Micro Four Thirds lens adapter alows you to attach EF Mount lenses to a Micro 4/3 Mount camera body. Does allow aperture control.
The Redrock LiveLens allows you to go from you Micro 4/3 mount to EF so that you can use Canon lenses. It is a smart adapter so you have full aperture control.
Canon’s 2x II Extender is a teleconverter that can double the focal length of a lens. While the extender multiplies the lens length by 2x, it also decreases the f-stop by 2 stops.
Allows you to put almost any Canon EF lens on a Sony camera. You do not lose light with this adapter as you would with most others.
Lets you use popular Canon EF lenses on Sony cameras like the FS100 & FS700. Also increases aperture by 1 stop and makes lenses 0.71x wider.
This lens gives you the shallow depth of field and sharpness of primes from Cooke or Zeiss but with the added ability to zoom. Weighs 3.3 lbs.
This lens gives you the shallow depth of field and sharpness of primes from Cooke or Zeiss but with the added ability to zoom. Weighs only 2.3 lbs.
A wide angle zoom lens that offers the standard CN-E lenses features such as: minimal breathing, sharp images, and 4K coverage.
Cine-altered PL mount version of the popular Tokina 11-16mm. Includes a high-quality geared manual aperture for maximum exposure control.
The Cooke 25-250mm MKII T3.9 zoom lens offers the classic “cooke look” in a medium sized body with an impressive range.
The Angenieux 30-76mm lens weighs only 4.2lbs and is considered a lightweight zoom. It is manufactured to achieve 4K resolution and beyond.
Has a fast aperture of T2.8 throughout the entire zoom range. Because of the internal focus design, no signs of breathing are exhibited during focus pulls.
Part of Canon’s new family of cinema lenses. Has virtually no breathing, has smooth bokeh, and was engineered specifically with 4k camera’s in mind.
Arguably the most popular and recognizable lens in the Angeniuex line. Sharper than most prime lense series at equivalent focal distances and a fast T2.8.
Features a new optical design that eliminates breathing and ramping while offering superior levels of optical performance across its entire zoom range.
The Angenieux 45-120mm is a T2.8 PL mount lens that provides a great range and is small and light enough to fit naturally into a handheld camera configuration.
This PL mount lens has a fast aperture of T2.2 with no ramping, 329° focus rotation with over 50 precise focus witness marks and minimal breathing.
Alura Zooms have an extremely high optical performance combined with a small size and weight. Has color characteristics that match existing Arri prime lenses.
Offers crystal clear color and contrast with excellent matching across all focal lengths. This set of lenses is widely considered “Top Tier” in the industry.
The Zeiss Super Speeds have been a favorite of the film industry for over 30 years. They have a very fast aperture of T1.3 , small body, and flattering image rendition.
These Zeiss Standard Speed lenses have been cherished and used for over 40 years in the industry. A little softer and more contrasty than modern lenses.
These lenses give the classic “Cooke look”, “a sharp, subtle, smooth rendering that provides dimensionality and high contrast, and pleases the eye”.n.
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture.
This is a set of 6 Cooke S4 Minis. It includes 18mm, 25mm, 32mm, 50mm, 75mm, & 100mm prime lenses. Color-matched to Cooke S4’s.
All Cooke S4 prime lenses are color balanced to a specification within parameters approved by Kodak, and all have a true T2 aperture and cover Super 35mm format.
The Summicron-C lenses are a lighter, less expensive version of Leica’s premiere Summilux-C lenses. They provide full covereage, even on RED DRAGON.
The Leica Summilux-C PL mount lenses were designed to go head to head with Master Primes, and they deliver. High contrast lenses with a fast T-Stop of 1.4 across the set.
An ENG zoom with full Super 35mm and 4K coverage. Lens motors are quiet and quick. The zoom rocker gives you very smooth feathered starts and stops.
Ultra-wide angle lens with a fast f/2.8 aperture ideal in low-light situations. Designed for APS-C sized sensors like the 7D or Blackmagic Cinema Camera.
Handy, all-in-one compact zoom lens for versatile and easy subject selection while traveling, etc. Offers the highest optical performance in its class & close focus of 2.3 feet.
The Canon EF 8-15mm f/4L series lens is an ultra wide-angle fisheye lens for both full-frame and APS-C size sensors. This lens gives a 180 degree angle of view.
Boasting a superb build, mechanical, and optical quality as well as a widely used range of focal lengths, this is one of the best and most popular Canon lenses made.
A high performance, and ultra wide-angle Canon L-series lens. The circular aperture produces a beautiful and natural background blur when shooting at wider apertures.
The 70-200mm L lens family shows many genetic similarities aside from their obvious focal length range similarity.
Offers extended coverage to an ultra-wide-angle 24mm, making it ideal for digital as well as film shooters. Weighs 2.1 lbs and has a close focusing distance of 1.25′.
This 35mm L series lens offers a fast maximum aperture of f/1.4. This allows you to effectively shoot in low light situations and gives you a killer DOF.
The Zeiss Distagon f/2.8 21mm ZE lens is a precision wide angle lens that produces accurate color and professional-quality, high contrast images.
The Zeiss Compact Prime CP.2 85mm T2.1 weighs 2.2 lbs. the a front diameter of 114mm and close focus at 1′. Has the functionality and handling of a motion picture lens.
These Zeiss lenses provide brilliant lighting under all lighting conditions, and out perform Canon EF lenses. They focus manually and provide a high contrast picture.
The world’s first Cine lenses designed for use with HDSLR cameras. A stop faster than the standard speed Zeiss CP.2s making it ideal for use in low-light.
The world’s first Cine lenses designed for use with HDSLR cameras. Can be in either PL or Canon Mount allowing them to work with almost all popular cameras.
These lenses offer spectacular optical performance for demanding high-end productions. Designed for 4K production, covers an entire full-frame sensor.
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