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The Kino Flo Select LED 30 is a versatile lighting solution that has a range of 2700K-6500K for white light and 2500K-9900K for color. There is an additional Gel channel that offers presets for over 100 well-known lighting gels.
The ARRI SkyPanel S60-C Softlight is fully color tuneable between 2,800K and 10,000K and puts out an exceptionally bright light in a soft, uniform beam field, making it able to accommodate most applications.
The trim profile of the fixture and light weight design makes it perfect for both soft key and fill lighting in tight locations. Both tungsten and daylight bulbs available.
This compact and portable softbox attaches to our Arri 1K lights and makes for a great keylight or soft source on any shoot. Each kit comes with an array of diffusion covers.
Litepanels are light, compact, and able to run on Anton Bauer Batteries. This makes them ideal for travel and on-location shooting.
The LTM 1200 HMI is a great choice for many productions because it operates on a normal household outlet. It weighs 17.6 lbs and has a 5/8” stand mount.
This light is capable of producing as much output as a 4,000 watt quartz fixture with the power draw of only 11 Amps! Small enough to fit inside one tiny airline case.
Comparable to a 1500W quartz fixture but with a power draw of only 5.5 Amps. The Joker-Bug 400 is the largest 30 volt battery powered HMI.
Weighs only 3.5lbs and it’s output can be compared to a 750 Watt quartz fixture, but only draws 3 amps of power. Works great for interviews, small interiors, & documentaries.
Lensless, open face lighting fixture. Combines the desired light distribution from the optics of a PAR and a Fresnel fixture. The “brightest HMI you can plug in to the wall”.
This Mole LED Tweenie pulls only 100 watts, but puts out the equivalent of a 600 watt light. Acts like the traditional Frensels that you are used to.
This Mole LED Junior pulls only 200 watts, but puts out the equivalent of a 1300 watt light. Acts like the traditional Frensels that you are used to.
This Mole LED Baby pulls only 150 watts, but puts out the equivalent of a 900 or 1K watt light. Acts like the traditional Frensels that you are used to.
The LitePanels Mini Flood Kit contains an on camera Daylight balanced dimmer light with gels. Uses an LED for light and draws a small amount of current for 25 Watts.
An ideal on-camera beauty light. Features 72 LED lights. The element encircles the lens and offers a direct, soft, adjustable, and innovative lighting capability.
A compact, on-camera LED light. Provides soft light that is easily changeable between daylight and tungsten, as well as dimmable.
An LED light panel that emits soft loft. The equivalent output of a 2000w tungsten soft light. High CRI of 95 for accurate color rendition.
An LED lighting fixture that has the equivalent output of a 750w tungsten soft light. It has full color temperature control, 2700K to 6,500K.
The new 1×1 Litepanel Astra has all the great features of previous bi-color litepanels, but can throw out up to 4x the amount of light.
Arri’s new LED light. Control light color temperature with the simple twist of a knob. Since the light is LED, it doesn’t heat up and saves electricity costs.
Mole-Richardson is one of the best known names in the industry, and synonymous with quality. Front and rear Molecool Paddle Keyed to graduated spot-flood scale.
Mole-Richardson is one of the best known names in the industry, and synonymous with quality. This 10K provides lots of light and has a handle for focusing.
The ARRI 750 plus is the newest version of the poplar ARRI open face light. It optimizes the ARRIMAX reflector, offering greater light output.
Despite the small size, short focal length lenses with wider angles give more light output and better light distribution over the full beam area.
The special designed reflector gives a balance between controllability, efficiency and provides an exceptionally even field of illumination.
An industry favorite, the Arri 1K Fresnel is a 1,000 watt light. Despite the small size, short focal length lenses with wider angles give more light output.
Has a 30% light increase from older models and are able to throw a beam of light of 219 footcandles 26 feet in diameter from 20 feet away at full flood.
Recommended for lighting interviews, documentaries, and more. Includes Arri’s most popular lights the Arri 650 and Arri 300 Fresnels in a compact case with wheels.
The Mini-Flo System, sometimes called a car kit can be found most often lighting night time car interiors and other small areas.
The Kino Flo Kamio 6 can provide a soft, glamour light for close-ups in both film and photography. The soft, cool Kamio light falls gracefully on the subject’s face.
Combines a large, shadowless softlight coverage of quality light that’s easily controlled with no dramatic shift in color, ease of rigging and low energy consumption.
The Kino Flo Barfly 200 is an efficient, compact, controllable, fluorescent light that are able to squeeze in to tight spots. Ideal fill & hair light.
The Kino Flo Barfly 400 is an efficient, compact, controllable, fluorescent light that are able to squeeze in to tight spots. Ideal fill & hair light.
The Diva-Lite 400 and 200 are soft light sources ideally suited for Television or Film documentary shooting styles. The units provide a broad soft and diffuse light.
Uses cool running 2′ flourescent bulbs to light up your talent or set. Slient, flicker free operation & no temperature color shift when light levels are changed.
The 4BANK SELECT System consists of a four lamp fixture operated by a remote ballast. Makes a great soft key or fill source. Daylight & Tungsten bulbs available.
11318 Santa Monica Blvd.Los Angeles, CA 90025(310) 277-6900[email protected]
Copyright © 2017 Stray Angel Films.